This is an easy one this week. There is no historical value, cinema language, or back story intrigue to make this a movie you should see. It is just funny as all get out with wiseacre talk, inappropriate life lessons and a cast of funny people who are just trying to entertain you for a couple of hours. If you are a fan of films like “I Love Man” or “Forgetting Sarah Marshall” then you don’t want to miss this treat starring the slacker gods Sean William Scott and Paul Rudd. This is dumb comedy done in a smart way and it has so many quotable lines that it could easily displace Caddyshack on the list of guy movies that guys will quote incessantly.
“This Is the End” is a riotously funny movie about six comedic stars trapped in one mansion as the Apocalypse unfolds around them. The personalities are funny, the situation is funny, everything is funny.
Be forewarned: “Admission” is being marketed as a romantic comedy, but it most assuredly is not. Certainly, it has comedic moments, but they’re few and front-loaded.
Instead, “Admission” is a dramatic film with comedic undertones about a career oriented woman facing a mid-life crisis, who may or may not have just been brought into contact with the child she gave up for adoption back when she was in college.
How to be a “Feel Good Movie”, “This Is 40” style:
Create two miserable characters, unhappily married to each other. Show in great detail all the miserable facets of their unhappy relationship… the lack of personal space, the unfulfilled wishes, the financial pressures, the ridiculous demands they place on each other, and then show them argue about these things. At length. Constantly. Then show how miserable that this is making the couple’s children. Then show the irresponsible parents that caused these two to grow up miserably, and how they’re still making the couple miserable. Finally, your audience will be miserable after watching two hours of nonstop arguing and misery and complaining about being miserable.
Then, when the credits roll… it will feel SO good.
“The Perks of Being a Wallflower” is an indie coming of age drama starring Logan Lerman as an insecure teen entering his first year of high school, and Emma Watson and Ezra Miller as the step-siblings with their own issues that he befriends. Together they struggle their way through a difficult social year, and learn to confront their personal demons.
It’s a solid teen drama, with some genuine emotional weight to it. It’s pervasively “indie”, but manages to set itself apart via a strong central character and solid performances across the board.
There was a time, a time before cable. When the local anchorman reigned supreme. When people believed everything they heard on TV. This was an age when only men were allowed to read the news. And in San Diego, one anchorman was more man then the rest.
His name was Ron Burgundy.
He was like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo.
Ok, folks, here we are! One of the major movie release seasons of the year is upon us, The Holiday Movie Season!
The Holidays started a little early this year, with “Skyfall” (undeniably a major release) opening in the first week of November. So we’re underway! Between now and the end of the year, we’ll see some of the biggest films on the 2012 docket get released, including the conclusion to the “Twilight” Saga, “The Hobbit”, and “Django Unchained”!
Click through to check out what the Holidays hold in store!
Showing for the first time on Showtime this past weekend was “Our Idiot Brother”, last year’s Paul Rudd dramedy vehicle.
“Our Idiot Brother” is about a burn-out who gets re-interjected into his sisters’ lives after serving a stint in jail for selling marijuana to a cop. Not a plain clothes, undercover cop… a cop in full out uniform. Rudd’s Ned is a fried space cadet who completely lacks motivation, but has an abundance of good nature and a simple outlook on life. He’s also a bit of a blabbermouth, he can’t seem to keep anything in confidence.
His presence in their lives, predictably, winds up being a change agent for each of them.